Jean-Michel Jarre - Oxygene 8 (Madis Remix) | Youtube
Jason Derlatka - Hard To Say I'm Sorry (Chicago Cover) | Youtube Great job...wow
VULFPECK - It Gets Funkier but every time it gets funkier, it gets funkier | Youtube
VIVALDI // 'Juditha triumphans, RV 644: Air Armatae face et anguibus' by Jupiter | Youtube
Some have theorized that Vlad Tenev (Robinhood CEO) and /r/WallStreetBets options trader Roaring Kitty (Keith Gill) are the same person.
They do look a lot alike, after all.
I’ll just say this—I think they’re both INTJs.
I’m not so sure about the same person bit. :-)
P.S. When RK says “I am not a cat” to a member of Congress in that video, that is shadow ESFP behavior right there. See also: Zuckerberg’s pajama prank on Sequoia Capital investors, etc.
It’s funny, sure. But please be really careful with that stuff. For some obvious reasons, but also for lot of really good, less-obvious reasons.
I’ve added magician Justin Willman, host and executive producer of Magic for Humans to my INTJ list:
Magic for Humans (Netflix) is a really well-produced show. If you haven’t seen it yet, it’s worth checking out.
Here’s an interview:
I was thrown off a bit when Justin called the Google audience a “smart room.” At first I thought he was talking about smart technology, but then I realized—this is stage terminology. Calling the room a “(whatever) room” is a way to label the traits and needs of the audience, to help magicians learn more about their craft.
Some quotes that stood out to me:
“I can intersperse myself in different groups of humans, and find out that…we’re all human.” (Experimentalist-theoretician; summarizing; explaining)
“People think they want to know how magic works, but really they don’t. How it works is never as amazing as what the trick was in the first place, so it’s never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.” (Letting you in on the meta-secret)
“Basically the job of a magician is to do impossible things that challenge the nature of the universe. And I think some magicians buy into that perception a little too much. These days that turns people off a little bit. I’m not a wizard. I don’t have special powers. If I did, I would not be doing magic for a living!” (Meta-perspective on quality)
“Some people love magic for the right reasons: They love to experience wonder. They don’t want to know how it works. In this day and age, we know how everything works. We can Google anything and the answer is never really far away. Magic is a break from that where you get to enjoy mystery. And then there’s the people who watch the trick but don’t want to enjoy it because they want to figure it out and they feel like I’m challenging their intelligence, which I’m not doing. Those people are hell-bent on not enjoying magic and probably not enjoying their lives either.” (Right/wrong qualitative reasoning about people and their choices, mixed with background, theory, and probabilistic intuition and prediction)
Justin is really good example of an INTJ working in entertainment. I think I’ve mentioned before that this can be a risky field for INTJs, drawing as it does on our inferior function, Se.
What of Se? Well, extroversion, improvisation, performance orientation, audience pressure, and important sensory details are key elements of the entertainer’s working day, and that can be really exhausting to INTJs. The INTJ’s opposite type, the ESFP, is a Se-dominant type, and typically better suited to long-form use of Se. Still, those elements tend to call to us…“wouldn’t it be cool if…” … “that would really blow peoples’ minds…” so you never know when you’ll spot an INTJ in those entertainer’s shoes.
The magician archetype is also a really helpful one for INTJs in general. I’m glad to have become acquainted with INTJs around the world who have done the magician archetype proud, in lots of interesting, life-changing, and non-literal ways as well.
Filed in: Sensation /40/ | Careers /40/ | People /74/ | Se /25/
A number of basic anchors are required in order to establish long-lasting creative works, or rather, creative styles.
Hope is a big one. If you can find a place for hope in your creative process, you can maintain an active energy transport to and from your personal system of ideals.
If you can do that—if you can keep the energy flowing to and from your ideals, you can 1) consciously measure the progress of a creative undertaking relative to your ideals and 2) use your intuition to correct a project’s path before it fails your higher-level creative energy.
Hope is the baseline—you have to be able to say: “I’m going to be a little naive and think hopefully,” or “I’m going to take a risk and harbor hope, even though I’ve been a pessimist before.”
Beyond that basic point of “ok fine, I’ll hope for good stuff”, hope in what is a really important question. The answer to this question should be a sort of intuitive design specification:
These are midpoint specifications. From each of these you can derive a more detailed set of structures that inform the day-to-day process.
This is design.
Working through this process is what will lead to the “hope works” idea. If you hope in isolation, maybe positive outcomes are less certain. Hope starts to feel stupid, especially as an anchor.
And the funny thing is, this hope-anchor is kind of an inverse anchor. Instead of an anchor to the sea floor, like most anchors (anchoring us metaphorically to our past), it’s an anchor up in the sky, or out in space. It’s a vague anchor to our future, and there seems to be no fixed point of location for now.
This feels scary, vulnerable, and it may awaken an unnecessary contingency reflex in us INTJs. Especially if we think we already know the future, or can predict it. We may have to work hard to learn creative and conceptual design principles first, in order to release our overly-firm grip on the only outcome we can perceive at present.
Principles of design can help us remain open to unanticipated, emergent, creative, surprising, happy outcomes—mainly watching ourselves create them!
So this re-connection with hope is really important. What does that look like for you?
Filed in: Openness /49/ | Goals /52/ | Intuition /62/ | Energy /120/
Some Readers writes:
What have you been up to lately?
Kind of lots of stuff? I think I’m building up to more publishing here. Maybe not but I kinda think so. And remember, I’m a publishes-in-batches guy anyway. I mean:
Some more fun
Have a great week everybody!
Filed in: Interests /111/ | Randomness /26/
Since there is a lot of idle talk about investing or trading being “gambling,” I thought I’d speculate on a sort of gambling-gradient which could be useful for normal people.
How do you speculate, and where does it fall on the list?
Do you feel pressured to pick one method, or do you see why multiple methods may help you reach your goals faster, or in a more interesting or entertaining way?
1. The Courage to Trust Your Selves
2. The Courage to Discover and Discard the Standard Self
3. The Courage to Try Again What Didn’t Work for You Before
4. The Courage to Follow the Appropriate Path while Anticipating Trouble
5. The Courage to Support Others’ Paths
6. The Courage to Bring Form to New Energy
Filed in: Publications /44/
Can we develop a gauge to guide the development of moral codes and moral behavior?
I think we can, and in doing so maybe we can avoid the trap of becoming too prescriptive too early. That is, maybe we can help guide ourselves to a good outcome without developing just another moral code.
Here is a quick draft scale, moving from primitive and subjective and up to nuanced, broadly effective and more objective:
It may be possible for a human to believe they are making it right through this scale, but as a group? We have a long way to go.
Which is a good thing, for a development scale.
OK, enough for now, more later maybe.
Filed in: Control /110/ | Essays /52/ | Publications /44/ | Energy /120/
One of the things I like to track is the way my personal interests are “directional,” in a metaphorical sense. They reliably provide me with timely and specific clues, clues that point at helpful mindsets or tools for the current situation I’m in.
If you’re ever feeling down, or stressed, or overwhelmed, or just a bit disorganized, this practice can really help.
Today I want to share some examples of how I use the role playing game (RPG) interest as a direction-finder.
1. Decide What The Character Will Do
When I get really interested in RPGs, I like to open my daily journal entry and start a new list. I’ll use this list to decide what my character will do. That character is me, but I’m thinking of myself from the third-person perspective.
Each item on the list starts with “I’d like him to” or “I want him to.” Examples from this last Saturday:
These lists are usually different from my first-person ideas. For example, I have been nursing an injury, and I had decided not to do any exercise at all. But my third-person view was, “I want him to get a bit of exercise, even if he can’t do all of them.”
It’s strange, in this way, because the emotional detachment helps to figure out reasonable ways to do things. I also find that I feel less pressure to do tons of things in one day.
Compared to the first-person perspective, this outside-in view is generally much more reasonable about what’s possible or needed.
2. Imagine Favorite Characters, and Ask Them About Their Mission
Usually a specific type of character will come to me through the intuition, and seem more fascinating than usual.
On Saturday it was a tall cyberpunk guy in a long overcoat, with blue hair. He had a blue “chip”, like a diskette which was really important.
I’ve seen him in my mind’s eye before. Usually this guy represents a fusion of emotional and logical / rational needs. He’s productive in the sense that he can handle both ways of being pretty well, and still make progress. He’s usually on a tricky mission that accomplishes a lot, but some up-front breakthrough effort is needed.
I started a new section in my journal, where I could have an intuitive “conversation” with this symbolic voice. As soon as I had jacked into this thinking mode, he started briefing me:
Marc. I have the data chip. We need to get it into the master computer system.
What does the data chip hold?
Numbers. Measurements. Data. Good stuff.
OK (I get it—this is a prompt to make a schedule and track progress). How am I doing.
Good but there is more data, more chips.
Yeah, that’s a big blue data chip. Should I get super-organized?
Yep. Also there is the spreadsheet you made.
I also get the feeling I should get ready for the day? I’m still in my pajamas.
Yep.
OK.
I pulled up a schedule with 15-minute time slots and filled it out.
As soon as I finished that, the interest in this character started to fade. That’s normal. He’s still interesting, but not as fixating.
This process used to be a lot more funny to me. I almost hate to admit it, but now it’s more like a quick and helpful utility—something far more mundane!
The character, the colors I see in my mind, the theme, the data chip—it’s all meaningful, and I’ve long since learned that it has a lot to do with the combination of emotion and rationality that I’ve addressed above.
Essentially, this guy always helps me find a win-win for the day—I do what I need to do, but I also do what’s fun, or interesting, or fulfilling.
There are many characters like this in my files—hundreds of them, easily. Each one seems to signify a new type of conversation or mindset which would be helpful.
3. Develop and Understand the Themes. Or Even Just Ranges and Spaces
It can help to build a personal idea of the subjective “meaning” of a type of game that I’m interested in. For example, low-fantasy role playing games which take place in subterranean caverns have a different meaning in my symbol system than does strategic global warfare.
A big concept here is range and space: How far do the weapons shoot or defend, and how enclosed is the space.
At tight ranges, and in tight spaces, I find that I’m looking at really tight timelines, possibly emergencies. If fighting off a zombie hoard with a baseball bat is really interesting, then there’s a good chance I’ve overbooked myself, for example. It may be that a clever escape (doing some creative schedule-destruction and re-authoring) is a better idea than a continuation of the uneven fight.
At long ranges, and in expansive strategic spaces, I find that the longer timelines, schedules, and goals need my attention. These may seem less-pressing to the inxperienced eye, but if neglected they tend to turn into nuclear apocalypse situations, which are pretty bad across the board.
Some Final Thoughts
The coolest part of this is that it’s so subjective. These symbols can mean just about anything to any individual, and they are infinitely deep. The sets of symbols are more like fractals, begging for exploration and development.
I hope it’s helped to share a basic personal example.
And to my symbolically-axe-wielding, snub nose revolver-loading friends: Hang in there! Build on your strengths and you’ll find a way through.
Filed in: Control /110/ | Interests /111/ | Goals /52/ | Planning /17/ | Therapeutic Practice /144/ | Fitness /31/ | Ni /42/ | Anxiety /32/ | Productivity /119/ | Feeling /64/ | Intuition /62/
Today I’m proud to announce the formation of a new and patently silly organization.
The International Society of Clever Sleuths
The organization is hereby established to forward the ideals of looking into things, and of being creative, curious, and clever.
Who is Welcome?
Are you a web sleuth? A scientific sleuth? Do you like to investigate new foods, or are you hot on the trail of a crooked politician? Domains of interest are wide open. Sleuthing is useful just about everywhere.
Motto: “We Look Into It, Because You Never Know”
Secret Handshake: Member 1 extends two fists, palm down. They extend the invitation—“pick one.” Member 2 points two index fingers, one pointing at the top of each fist, and says, “both.” Members making the fist are invited, but not required, to place a piece of candy in both hands. At the end of this short ritual, they may both share the candy as a simple nod to the benefits of being Clever Sleuths.
Secret Verbal Exchange: Member 1 asks, “Do you like rainy days, or sunny days?” (R in Rainy comes before S in Sunny) Member 2 replies with a question: “Can I like both?” Member 1 then closes the exchange by saying, “Clever,” “Creative,” or “Curious.”
Fraternal Song: With Cat-Like Tread, Upon Our Prey We Steal from The Pirates of Penzeance (This is a nod to the detective’s clever mental approach, more than a nod to piracy)
Mascot: A victorious cat sits upright, happily licking its paw, all squinty-eyed.
Founding Principles: Creativity, Curiosity, Cleverness, followed by Kindness and Pleasant Recreation.
The acronym ISCS is what I’m calling a Xenogram. The C can stand for Creative, Curious, or Clever. You can write it out differently every time, if you like.
As the Founder of this Society, I invite you to join me. We’ll make it fun.
How to Join
To join now, please assign yourself a temporary membership ID number:
ID-YYYYMMDDHHmmSS-FF-Codename
Your temporary membership ID number is the Year, Month, Day, Hour (24-hour format), Minute, and Second (two-digit format, 00 through 59), at which you finished reading the Society Motto aloud, followed by a dash, followed by your lucky two-digit number of choice, and your self-appointed Clever Sleuth code name. The code name in this case should be kept to one word, if possible.
If you’d like to register your membership, send me your temporary membership ID number, and we’ll make it formal.
(The title of this post is a reference to an aging Groucho Marx quote. I invite you to be a part of fun stuff, blog readers!)
Filed in: Publications /44/ | Energy /120/ | Interests /111/ | Thinking /70/
JD asks,
Would you say a happy, healthy INTJ is more like an ESFP?
In some ways, sure, maybe so. Maybe the healthy INTJ is more outgoing, upbeat, well-engaged with the sensory world, funny, that sort of thing. Jujimufu is a good example of these characteristics in an INTJ, in my opinion.
At the same time, there’s much more to it!
You can also say that a healthy INTJ looks more like just about any other happy and healthy person. And type is only one way of looking at that. For example…
Healthy ENFJ: The INTJ is more idealistic, diplomatic, and clever.
Healthy ISFP: The INTJ is more gentle, quietly radiant, and able to give attention to complex relationship dynamics.
Healthy ESTP: The INTJ is more impactful, improvisatory with in-situ logic, and genuinely interested in how you are doing.
Healthy ISTJ: The INTJ is more steadily progressive in their pursuits, open-minded, and attentive to the way quiet, simple convention can play a heroic role in life.
(Are we trying to cram 500,000% of things into one individual? No—keep in mind these are small, simple factors of preference and judgment that add up to create a whole experience of, and for, a person. This typically happens over long time spans. Don’t try picking this up over the summer.)
Outside of personality type, maybe you can say these other things about healthy people:
There’s a lot to this “healthy” thing, and I hope that helps clarify my thinking a bit. I’m glad you asked.
The ESFP model is really helpful, I think, because that’s one of the INTJ’s first stops for relief. When I meet INTJs who struggle really badly—and I’ve been there too—ESFP stuff seems really helpful to them. ESFP perspectives, ESFP judgments. ESFP jokes and sometimes ESFP not giving a care about work anymore, because I’m just done.
So it seems that when we’ve been really hard on ourselves and our energy levels, we just have to head to that opposite.
The fact that there’s much more to healthy living than this single dichotomy has been a really enjoyable thing to me too, though. I didn’t really appreciate this when I was younger, but nowadays I really like that there are so many details to consider. They’re all interesting, and chewy, and you never know how things will turn out. Life’s more of an adventure.
Filed in: Relationships /78/ | Control /110/